Richard Bray

Sculpture

Public
- Bacton Wood
- Public Works
Private
- 1
- 2
Studio
- 1
- 2
Exhibitions
- 1
- 2
Africa
Schools
- Swaffham Prior
- Bacton Wood & CSVPA
M.A. Fine Art Show

C.V.

Writings

Photography

Writings

In your opinion, why is it relevant to appreciate the social construction of ideas about the past?
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Showing at Berg Apton Sculpture Trail this year reminds me of the special qualities of the individual gardens and their creators. It is another example of personal expression.
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I want to take a very quick personal look at social engagement in art. At a minute an image it can only be superficial but I hope to raise some important issues.
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A Whitney Biennial in New York concerned with social issues produced criticisms along the lines of, ‘art is a form of visual communication that must exist for its own sake before it can further a cause’
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I first came upon this piece in 1990 and sketched it, putting it away for future reference. Drawing something is a good way of analysing its form, much better than just photographing it.
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I’ve been asked to say a few words about how this sculpture came about and what it means. I was contacted in October 2003 and met Dave Scott and Phillipa Towlson here at Hinxton.
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From an examination of the public sphere, in which the visual experience of towns, streets and buildings have often been designed to provide a greater awareness of context, I began to look again at how art and its objects were perceived.
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THE AWKWARD LINE
RICHARD BRAY
2008 NORWICH
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